I had the pleasure of being away in Arizona for two weeks touring with The Best of Dean Martin and Jerry Lewis and have only just returned. I am looking forward to focusing solely on the finish line for William's Lullaby. It's been a little tough leading a double life as an entertainer, but we're making it work!
Jerry Lewis, actor/filmmaker/entertainer, on the set of "Hardly Working"
We have production meetings in place all month as we put together the separate pieces that everyone has been working on so diligently.
The blogs will get more and more interesting from here on out. I hope they have been somewhat interesting for you thus far. But as we lead into our final production meetings, we hope to provide with well documented updates on the process of bringing William's Lullaby to fruition. And things are going to be a lot more revealing as we pull back more of the curtain -- stories from set, actor and character profiles, scene breakdowns and tid-bits of information that only you, the blog-reader, will be able to read exclusively here are some of the many things to look forward to in the weeks and months ahead as you wait for William's Lullaby to show up in a city near you.
Keeping along with the thread of "Creating the Look of William's Lullaby" this week, we'll take a look at the wardrobe. This was not too difficult a task for my team in the summer of 2011 as, when one worked off the original script, the wardrobe pretty much presented itself and it was just a matter of locating specific items and organizing them throughout the script breakdown.
I always am thinking of colour when I direct my attention to wardrobe. One of my earlier films, The Vicious Circle, featured a lead protagonist with a wardrobe colour palette that mirrored his downfall to rock bottom (going from light baby blue to dark black). It is arguable that in William's Lullaby, Thomas Splinter has already hit rock bottom by the start of the film, but I indeed resort back to this tactic of a shift in colour with his wardrobe as we get closer and closer to revealing the true thesis of the film. The other thing we tried to focus on with Thomas was the idea of dressing him almost like a teen -- in that, with his present state of mind, he would not be paying much attention to his outward appearance and likely wearing and re-wearing the same clothes. This was likely the smallest wardrobe collection for a lead character in the film.
Richard Roy Sutton wardrobe test 
Richard Roy Sutton wardrobe test 
This fits with the idea that Thomas carries on through his adult-life with the emotional stability of a child with certain areas of his past not yet confronted, creating within him a wounded inner child.
For William, we had the luxury of choosing from Toby Bisson's own wardrobe to create his character. Where we zeroed in and became specific was in the accessories. As you come to know more about William's Lullaby you'll learn that a pair of glasses become a very powerful, significant and symbolic item recurring throughout the film and creating a general thread that ties the pieces of the mysteries together. We tried a number of different glasses ranging from child sizes to adults, different shapes and frames and eventually settled on this awkwardly fitting, slightly over-sized pair that engulf most of the top portion of Toby's face -- a poor man's band-aid for poor eye-sight and one that Thomas Splinter would likely buy for his son as a temporary way of fixing the problem.
Toby Bisson wardrobe test 
Actors Ila Lawton and Robert Lawton portray the only true sense of grace and stability with their characters in William's Lullaby and both serve as sort of wise mentors for Thomas as he pushes through his grief and mental anguish. Their wardrobe and colour palette both needed to suggest a warm and inviting, paternal and maternal feeling with a strong contrast to Thomas' rough and unkempt appearance.
Ila Lawton wardrobe test 
Robert Lawton wardrobe test